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Horology and Religion

What Has Greenwich to Do with Jerusalem?

EXHIBIT AND SYMPOSIUM ON THE INTERSECTION OF HOROLOGY AND RELIGION

Curated by Dr. Damon DiMauro, Gordon College Professor of French, and Bob Frishman, professional horologist and independent scholar.  
January 15 – March 5, 2025 
Free and Open to the Public
Saturdays 10 a.m.–4 p.m.

OPENING RECEPTION

Friday, January 17, 2025 
4 p.m. – 6:30 p.m. 
Barrington Center for the Arts 

SYMPOSIUM 

Saturday, February 1, 2025
8 a.m. – 4:30 p.m. 
Barrington Center for the Arts, Cinema Room 
Free and Open to the Public

ABOUT THE EXHIBIT

Featuring more than eighty artworks, early American clocks, and rare books, the exhibit explores eight centuries of close connections between horology — the science of timekeeping — and Christian theology. The title echoes a classic query by Christian theologian Tertullian, ‘What has Athens to do with Jerusalem?’ concerning the intersection of secular learning and religious culture.

Since the invention of mechanical clocks in 13th-century Europe, timekeeping and religion have been closely intertwined.  Even before clocks in monasteries and church towers first began sounding their bells, sandglasses, and sundials were regularly employed to time sermons, guide the hours of daily observances, and summon worshippers to prayer. In the exhibit, artworks depict large public clocks in steeples and smaller timepieces metaphorically representing human mortality while simultaneously pointing to eternity. Other paintings, prints, vintage photographs, and timepieces explore religious affiliations of clockmakers, missionary endeavors, nostalgic views of early American life and religious commitment, and the early involvement of Calvinists, Quakers, and Huguenots in clockmaking.

Six longcase clocks from the 18th and 19th centuries will be ticking and ringing the hours. Their makers include Simon Willard and Moses Peck of Boston, Edward Duffield of Philadelphia, Nathaniel Mulliken II of Lexington, Ebenezer Sargent of Newbury, and Samuel Mulliken I of Bradford. A large iron tower-clock movement, made in the mid-18th century and formerly in a Newburyport steeple, will occupy the center of the gallery. Early European and American pocket watches will be displayed, along with a circa 1860 marine chronometer made by Boston’s William Bond & Son. Three extremely rare books will be on view from the school’s extensive Vining Collection.  A German-language Bible, published in 1743 in Germantown, Pennsylvania by Christopher Saur, is the second Bible printed in colonial North America, and the first in a European language. Sauer also was a well-known Philadelphia-area clockmaker. Also on display will be a 1611 first edition of the King James Bible, and the 1596 edition of Foxe’s Book of Martyrs. Both contain many references to daily and calendrical timekeeping. An adjacent gallery will present the technical and craft aspects of horology and its history. Original design patents and watchmaking-student drawings, artistic and journalistic depictions of these crafts, and horological tools and devices will be displayed and demonstrated.


SYMPOSIUM SCHEDULE

Saturday, February 1, 2025
Cinema Room in Barrington Center for the Arts 
Free and Open to All Students and the Public

8:00
- Gallery opens, hot beverages offered, informal conversations and introductions.

9:00 -  Damon DiMauro, Co-Curator, Gordon College Professor of French, welcome and introduction of the day's program.

9:10  - Welcome by Greg Deddo, Assistant Professor of Art

9:15  - Dr. Jennifer Powell McNutt, Professor of Biblical and Theological Studies at Wheaton College: "Bells, Bibles, Calendars, and Clocks: Keeping Time Reformation Europe."

10:00 - Brief Break.

10:15 - Dr. Sara Schechner, recently retired Curator of the Collection of Historical Scientific Instruments at Harvard University: "Sundials and Matters of Faith."

11:00 - Rev. Dan Benson, minister, horologist, and theologian based in Toronto: "Beyond Paley's Watch."

11:45 - Damon DiMauro, Co-Curator, thanks to morning speakers, and announcement of on-campus dining options.

12:00 - Lunch in designated school venues, gallery open for viewing and informal gatherings.

1:15 -  Bob Frishman, Co-Curator, independent horologist and scholar: welcome and introduction of afternoon program.

1:20  - William J.H. Andrewes, horologist, scholar, author, designer of public sundials, and principal creator of the 1993 Longitude Symposium at Harvard University: "Teach Us to Number Our Days," origins of the mechanical clock in European monasteries and churches.

2:00  - Brief Break.

2:15Panel discussion: speakers discussion then audience questions and comments.

3:00 Informal conversations with speakers, curators, and attendees in the auditorium, main gallery, and small gallery where horological demonstrations will be offered.

4:30 -   End of program, gallery open until 5.